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The Conic Hand
THE
conic hand, properly speaking, is medium-size, the palm slightly
tapering, and the fingers full at the base, and conic, or
slightly pointed, at the tip or nail phalange. It is often
confounded with the next type, the psychic, which is the long,
narrow hand, with extremely long, tapering fingers.
The
characteristics of a full soft hand are as follows.
- The
main characteristics of the conic hand are impulse and instinct.
People with the conic hand are often, in fact, designated
'the children of impulse.' There is a great variety in connection
with this type, but it is more usually found as a full,
soft hand, with pointed fingers, and rather long nails.
Such a formation denotes an artistic, impulsive nature,
but one in which love of luxury and indolence predominate.
The great fault with people possessing this type is, that
though they may be clever and quick in thought and ideas,
yet they are so utterly devoid of patience and tire so easily,
that they rarely, if ever, carry out their intentions. Such
people appear to their greatest advantage in company, or
before strangers.
- They
are good conversationalists, they grasp the drift of a subject
quickly, but they are more or less superficial in knowledge,
as also in other things; they have not the power of the
student, through want of application; they do not reason,
they judge by impulse and instinct. It is that quality which
makes them changeable in friendship and affection; one can
easily offend them over little things.
-
They are also very much influenced by the people with whom
they come in contact, and by their surroundings. They are
impressionable in affairs de coeur; they carry their likes
and dislikes to extremes; they are usually quick-tempered
but temper with them is but a thing of the moment. But when
out of temper, they speak their mind plainly, and are too
impetuous to study words or expressions.
-
They are always generous and sympathetic, selfish where
their own personal comfort is concerned, it is true, but
not in money matters; they are easily influenced to give
money for charity, but alas! Here they have not the power
of discrimination, consequently the money is given to anybody
or anything, which may rouse their sympathies at the moment.
These hands never get that credit for charity, which falls
to the lot of the more practical types. To get credit for
charity very often consists in saving what we give to the
beggar and giving to the Church, but the conic fingers never
think of that. The beggar comes, and if the impulse to give
is there - well, they give, and that is all.
- The
interesting type has been called, and deservedly so, the
artistic, but such relates more to temperament than to the
carrying out of the artistic ideas. It would really be more
correct to say that the owners of such hands are influenced
by the artistic, than that they are artistic. They are more
easily influenced by colour, music, eloquence, tears, joy,
or sorrow. Men and women possessing this class of hand respond
quickly to sympathetic influences; they are emotional, and
rise to the greatest heights of rapture, or descend to the
lowest depths of despair, over any trifle.
The
features of a hard and elastic hand are as listed below: -
- When
the conic hand is hard and elastic, it denotes all the good
qualities of the first-mentioned, but accentuated by greater
energy and firmness of will. The hard conic hand is artistic
in nature, and if encouraged for an artistic life the energy
and determination will go far toward making success.
- It
will have all the quickness of the first, with all the brilliancy
and sparkle in company and before strangers, and it is for
that reason that the conic hand has been chosen to represent
those who lead a public life, such as actors, actresses,
singers, orators, and all those who follow a purely emotional
career.
-
But it must not be forgotten that such people depend more
upon the inspirational feeling of the moment than thought,
reason, or study. They will do things well, but will not
know why or how they do them. The singer will carry away
her audience by her own individuality more than by study
of the song; the actress, from her own emotional nature,
will stir the emotions of others; and the orator will move
multitudes by the eloquence of his tongue - not by the logic
of his words.
- It
must, therefore, be remembered that the type of hand but
relates to the natural temperament and disposition of the
individual; it is the foundation upon which the talent rises
or falls. For instance, a woman with square fingers can
be as great a singer, and may often be capable of rising
to greater things than the woman with the pointed formation;
but she will reach that point by different means - by her
application, by her study, by her conscientious work, and
by the greater power of endurance and patience that she
possesses. Study and development are one half the ladder
of fame. Genius sits on the rungs to dream, Study works
and rises rung by rung; it is the earthworms alone who,
dazzled by the heights above them, confound the two, and
oft crown "Study" and call it "Genius".
-
The artistic type as a type relates to temperament; the
variety of fingers indicates only where that temperament
is strongest: as, for instance, the artistic hand with square
fingers indicates more the student, and, consequently, more
exactness in foundation, method, and correctness, such persons
will try and try again until they are successful.
- The
spatulate fingers on the artistic hand will give, say, to
a painter the greater breadth of design and colour, the
more daring ideas that will make the man famous for his
originality. The philosophic will give the mystical treatment
of the idea- the tones and semitones that subdue the already
subdued colours. The lights and shades that creep across
the canvas, the poem in the petals of the asphodel, the
Benedictus in the hands that soothe the dying - all will
be detail, but detail leading to the regions of the spirit;
all will be calm, but with that calmness that awes one with
the sense of the mysterious.
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